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Elisabeth Remy Johnson was appointed principal harpist of the Atlanta Symphony Orchestra in 1995. She holds the endowed Carl and Sally Gable Chair, and also held the honorary UPS Community Service Chair for 2006-07. With the Atlanta Symphony, Elisabeth has performed concertos by Debussy, Handel, Mozart and Ginastera. Winner of first-place awards in competitions of the American Harp Society and the American String Teachers Association, she is also a NFAA/ARTS awardee. She graduated from Harvard University Phi Beta Kappa with a double major in Music and French. Her harp studies were with Ann Hobson Pilot in Boston and Alice Chalifoux at the Salzedo Summer Harp Colony in Camden, Maine. With the ASO, Elisabeth has been privileged to work with a diverse range of the world’s greatest artists, from Yo-Yo Ma to Stevie Wonder, Julie Andrews to Jessye Norman.
Elisabeth has performed on numerous recordings with the ASO, including a feature performance of Britten’s “Ceremony of Carols” with Robert Shaw and his Chamber Singers for the Telarc recording “A Robert Shaw Christmas: Angels on High”. Elisabeth’s first solo CD, “Whirlwind”, was released in fall 2000 (ACA Digital Recording). A flute and harp recording with ASO principal flutist Christina Smith, “Encantamiento”, was released in fall 2008. The American Record Guide writes: “This collection is aptly named, for we have enchantment here long before we reach the composition with that title, and the sound of Elisabeth Remy Johnson’s harp is captured with exceptional brilliance, her artistry a constant joy.” On another recent recording with the ASO’s English Horn player, Pat McFarland, the Journal of the International Double Reed Society comments: “Here and throughout, her work on the harp is meticulous, full of variety, and gorgeously vibrant.” “A Christmas Collection”, for solo harp, was released in December 2015.
In addition to frequent solo and chamber music recitals in the Atlanta area, Elisabeth has performed with the Atlanta Chamber Players, the Carolina Chamber Music Festival, the Amelia Island Chamber Music Festival, and is a frequent guest at the Meeting House Chamber Music Festival on Cape Cod, MA. Elisabeth has performed at the American Harp Society National Conventions numerous times, recently giving the world premiere of Son Risa by Robert Xavier Rodriguez in San Francisco and performing in a reunion quartet of the 1988 “The Tonight Show” performance at the Alice Chalifoux Tribute Concert in Detroit. Elisabeth was a featured performer at the International Harp Festival in Rio de Janeiro in 2010, 2016 and 2017, and was the featured artist of the 2012 Mid-Atlantic Harp Festival. Elisabeth also frequently collaborates with her ASO colleagues Danny Laufer and Christina Smith in Aster Trio and enjoys a summer season with NYC-based cellist Dale Henderson in Parsa Duo. In 2019, Elisabeth initiated the project “Listen: Works by Women”, an annual concert series focusing on chamber music written by women. Excerpts from 2019 performances were featured on WABE’s “City Lights” and NPR’s “Performance Today.” The group will showcase new repertoire in March 2020 at several Atlanta performance venues.
Elisabeth teaches harp privately, through the ASO Talent Development Program, and at several universities in the Atlanta area. She coaches the harpists of the Atlanta Symphony Youth Orchestra, and is an artist affiliate at Emory University, Artist in Residence at Kennesaw State University, and Adjunct Instructor at Georgia State University. Elisabeth is co-founder of the Urban Youth Harp Ensemble, a program serving 55 students from 7 schools in the Atlanta Public School system, and was artistic director from 2000 to 2010. For this work she received Atlanta’s Channel Eleven Community Service Award and the TBS Pathfinder’s Award. In fall of 2009, Elisabeth was awarded the Atlanta Business Chronicle’s “Up & Comers Award”, also known as “40 under 40”, showcasing young community leaders in Atlanta.